Lgdi 52 03 17 (288) Three Times And Out

# Three Times And Out

The night is thick with betrayal as George Valentine stumbles into a case that refuses to stay closed. When a desperate widow appears at his office door clutching a photograph of her supposedly dead husband, George thinks it's an open-and-shut matter of mistaken identity—until the body count begins to climb. Someone is murdering people connected to a botched jewelry heist from three years past, and with each killing, the evidence points inexorably toward a man who should be in the ground. As the investigation spirals deeper into a web of blackmail, false identities, and desperate men with nothing left to lose, George discovers that the past has a way of reaching out from the grave with cold, calculating hands. The title itself becomes a grim prophecy as the murders follow a chilling pattern, and George realizes he's racing against time to prevent a fourth execution—even as his own life hangs in the balance.

*Let George Do It* thrived on this brand of psychological tension and moral ambiguity that defined noir storytelling in the post-war era. Bob Bailey's portrayal of the unlicensed detective became the gold standard for the private eye genre on radio, grounded in a world of rain-slicked streets and compromised characters rather than the fantasy heroics of earlier mystery serials. This particular episode, broadcast during the show's peak years, exemplifies the craftsmanship that made the program a staple of the Mutual network—sharp dialogue, intricate plotting, and that uniquely radio quality of intimate menace delivered directly into the listener's living room.

Don't miss "Three Times And Out," where George Valentine learns that some cases refuse to stay solved, and some killers are driven by ghosts no amount of detective work can fully exorcise. Tune in and discover why audiences made *Let George Do It* their appointment listening for nearly a decade.