Lgdi 51 12 17 (275) Stolen Goods

# Stolen Goods

When George Valentine answers a frantic phone call about a warehouse full of missing merchandise, he walks straight into a web of double-dealing and deception that stretches from the docks to the penthouse suites of the city's wealthiest thieves. In this December 1946 broadcast, our intrepid private detective finds himself caught between desperate longshoremen, corrupt warehouse managers, and a femme fatale who may know more than she's telling—or perhaps too much to live. The cigarette smoke hangs thick in the air as George navigates dark streets and darker secrets, his sharp wit and sharper fists the only tools standing between justice and another unsolved crime. Every shadow hides a suspect; every alibi crumbles under scrutiny in this taut, expertly paced mystery that keeps listeners guessing until the final, explosive revelation.

*Let George Do It* arrived on the Mutual Broadcasting System at precisely the moment post-war America craved its peculiar brand of crime-fighting escapism—when returning servicemen and their families settled into their living rooms each week to hear Bob Bailey's smooth, confident voice anchor them through cases that reflected their anxieties about corruption, black markets, and urban chaos. The show's brilliance lay in its formula: a capable, independent hero who operated in moral gray zones, solving problems that the official authorities either couldn't or wouldn't touch. Broadcast live from Hollywood with full sound effects and orchestral accompaniment, each episode became an intimate theater of the mind, where listeners could almost hear the rain on the pavement and the click of a revolver's hammer.

Tune in now to *Stolen Goods* and discover why *Let George Do It* captivated millions—where danger lurks in every corner and only George's cunning stands between order and chaos.