Lgdi 50 08 07 (204) Sweet Are The Uses Of Publicity

# Let George Do It - Sweet Are The Uses Of Publicity

When George Valentine answers a mysterious telephone call from a desperate starlet, he finds himself pulled into a glittering underworld of Hollywood publicity and blackmail where nothing—and no one—is quite what they seem. This week's episode crackles with the desperation of a woman whose carefully constructed public image is unraveling, and the shadowy figure who holds the threads. As George navigates smoke-filled nightclubs and marble-floored studios, the line between truth and fabrication blurs dangerously. The title promises that publicity has its uses, but what kind of uses lurk beneath the studio lights? Expect double-crosses, coded messages, and the kind of snappy dialogue that made this show a Thursday night ritual for millions.

*Let George Do It* arrived on the Mutual Broadcasting System in 1946 as post-war America embraced its appetite for sophisticated, fast-paced detective fiction. Unlike the gritty, hardboiled detectives of literature, George Valentine embodied a new breed of radio sleuth—urbane, clever, and always ready with a quip. Created by writing legend Herb Meadow, the show became a showcase for crisp storytelling and ensemble voice acting that brought the underworld vividly to life. This particular episode, "Sweet Are The Uses Of Publicity," exemplifies what made the series enduringly popular: its willingness to tackle the phoniness lurking behind America's glittering institutions, delivered with style and intelligence.

If you've never experienced George Valentine's cool competence and quick thinking under pressure, there's no better time than now. Tune in for eight minutes of pure mystery and atmosphere—the kind of entertainment that made people gather around their radios and forget the outside world entirely. Let George do it.