Lgdi 49 05 16 (140) Come And Get Me

# Come And Get Me

George Valentine steps into a rain-slicked night where danger wears a silk dress and a loaded .38. When a mysterious woman leaves a cryptic message on his answering machine—*Come and get me*—our wisecracking detective finds himself ensnared in a web of blackmail, betrayal, and murder that stretches from the seediest poker joints to the penthouses of the city's elite. What begins as a simple recovery job spirals into a maze of double-crosses where every clue leads deeper into darkness, and trusting the wrong person could mean a one-way ticket to the morgue. The tension crackles through every scene as George trades barbs with crooked cops, shakedown artists, and dames who know how to play the game better than he does.

*Let George Do It* arrived on the Mutual network in 1946 as American audiences were still hungry for the gritty, hard-boiled detective stories that had captivated them throughout the Depression and war years. The show became a cornerstone of post-war radio noir, with Bob Bailey's portrayal of George Valentine creating one of the medium's most enduring characters—a man willing to take on any case, work any angle, and crack any case if the price was right. This particular episode from May 1946 showcases the show at its peak, blending snappy dialogue, intricate plotting, and genuine menace in a way that made listeners lean closer to their radio sets.

If you've never experienced the thrill of classic detective radio, this is the moment to discover why *Let George Do It* commanded audiences for nearly a decade. Dim the lights, settle into that armchair, and let yourself be transported to an era when mystery, danger, and clever wit came alive through nothing but voices in the dark.